ENG sound mixer in Florida

ENG & broadcast work I cover

This is my home turf

• Sports features & game coverage: sidelines, features, press conferences and athlete profiles. ESPN, NFL Network, MLB Network, Golf Channel, SEC Network and Fox Sports have all had me on a headset.
• News & magazine television: network news packages, newsmagazine stories and reality/magazine formats, from a single stand-up to a full multi-day story.
• Live & taped: live hits, taped segments and everything in between. I show up early and I'm rolling on time, because in news you don't get the moment back.

Built for broadcast pace

No hand-holding required

• Fast, self-contained sound department: hire me and audio is off your plate. I bring everything, wire the talent, feed the cameras and stay out of the way.
• IFB for reporters & producers: Lectrosonics IFB so the field producer, reporter or truck hears exactly what's being recorded.
• Broadcast-spec deliverables: a full mix plus isolated tracks on a Sound Devices 833, jam-synced timecode to every camera, redundant recording on every job.
• Short notice is normal: ENG runs on same-day and next-day calls. Text me your date and call time and you'll get a fast answer.

Eighteen-plus years of network work

Full-time since 2008

• Thousands of broadcast productions for ESPN, ABC, HBO, TNT, BBC, Discovery Channel, NatGeo, NFL Network, MLB Network, HGTV, Netflix, Fox Sports and more.
• My background is news, sports and magazine television, so broadcast speed is just the speed I'm used to.
• A complete professional sound package travels with me. See the full gear list.

Common questions

Can you crew up on short notice for a news or sports shoot?

Yes. ENG is built on short notice and I'm used to it. Text 813-716-8826 with your date, location and call time. Texting is the fastest way to reach me. Same-day and next-day bookings happen all the time.

What ENG audio kit do you bring?

A complete broadcast package: Sound Devices 833 mixer/recorder, Sound Devices A20 wireless with Sanken COS-11 lavs, boom mics for interiors and exteriors, Lectrosonics IFB for reporter and producer monitoring, jam-synced timecode, and redundant recording on every job. Full gear list →

Do you work with out-of-state networks and production companies?

Constantly. Most of my ENG work is a network or production company sending a producer or shooter to Florida and hiring local sound. Tell me the workflow and deliverables you need and that's what you'll get. That's been most of my calendar since 2008.